類型:記錄,紀(jì)錄 法國(guó) 2019
導(dǎo)演:蘇哈伊布·加斯梅爾巴里
蘇利曼和“蘇丹電影俱樂部”的另外三名成員決定重振一家舊電影院。他們不僅因?yàn)閷?duì)電影的熱愛和對(duì)恢復(fù)舊電影存量、再次關(guān)注蘇丹電影歷史的強(qiáng)烈渴望而團(tuán)結(jié)在一起,而且因?yàn)樗麄兌荚诹鞣胖薪邮苓^電影教育。不知疲倦地,他們?cè)噲D讓影院老板站在他們一邊,讓這個(gè)地方重新運(yùn)作起來,但他們一再發(fā)現(xiàn)自己遭到了相當(dāng)大的阻力。同時(shí),他們坐在一起談?wù)撨^去——包括他們作為對(duì)立藝術(shù)家遭受迫害甚至折磨的經(jīng)歷。他們還朗讀流亡和夢(mèng)想蘇丹時(shí)寫的舊信,在那里藝術(shù)和智力思想可以自由。“我們比他們聰明,但不如他們強(qiáng)大,”他們一致總結(jié)了他們的處境。正是在這些簡(jiǎn)潔的時(shí)刻,觀眾才能夠感知到友誼,以及在為共同理想而斗爭(zhēng)中存在的紐帶和意識(shí)形態(tài)的團(tuán)結(jié)。蘇哈伊布·加斯梅爾巴里把蘇丹電影的歷史放在影片的中心,同時(shí)也揭示了一個(gè)受到持續(xù)危機(jī)影響的國(guó)家的現(xiàn)狀Sulimanandthreefurthermembersofthe‘SudaneseFilmClub’havedecidedtoreviveanoldcinema.TheyareunitednotonlybytheirloveofcinemaandtheirpassionatedesiretorestoreoldfilmstockanddrawattentiontoSudanesefilmhistoryoncemore,butalsobythefactthattheyhaveallenjoyedafilmeducationinexile.Tirelessly,theytrytogetthecinema’sownersontheirsideandmaketheplaceoperationalagain,butrepeatedlyfindthemselvesupagainstconsiderableresistance.Inthemeantime,theysittogetherandtalkaboutthepast–includingtheirexperiencesofpersecutionandeventortureasoppositionalartists.TheyalsoreadoutoldletterswrittenwhileinexileanddreamofaSudaninwhichartandintellectualthoughtcanbefree.‘Wearesmarterthanthem,butnotasstrong,’ishowtheyunanimouslysummarisetheirsituation.Itisinlaconicmomentssuchasthesethattheviewerisabletoperceivethefriendship,aswellasthebondandideologicalsolidaritythatexistsinthestruggleforcommonideals.SuhaibGasmelbariputsthehistoryofSudanesecinemaatthecentreofhisfilmandatthesametimeshedslightonthecurrentsituationinacountryshakenbyongoingcrises.如果您喜歡茶杯狐 cupfox(www.shebei119.com)分享的《當(dāng)我們談?wù)摌涞臅r(shí)候》,別忘了推薦給你的好友!
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